A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 50
... modern world , coloured by a variety of modern experiences . One could also , however , see this topic as a case study of what one might term ' historical reception ' , and to show how recep- tion work is integral to sensitive ...
... modern world , coloured by a variety of modern experiences . One could also , however , see this topic as a case study of what one might term ' historical reception ' , and to show how recep- tion work is integral to sensitive ...
Página 222
... modern views of the play coincided with those of Aristotle and Goethe ( Gliksohn 1985 ) . Prometheus Bound may today be better known for the debate around its authorship ( Griffith 1977 : 1-7 ) but throughout the nineteenth century and ...
... modern views of the play coincided with those of Aristotle and Goethe ( Gliksohn 1985 ) . Prometheus Bound may today be better known for the debate around its authorship ( Griffith 1977 : 1-7 ) but throughout the nineteenth century and ...
Página 273
... modern stage For a historical account of the Greek mask on the modern stage see : Wiles 2004a : 245–263 ; On practice - based research : Wiles 1999 offers an insightful seminar discussion by leading schol- ars in the field of classics ...
... modern stage For a historical account of the Greek mask on the modern stage see : Wiles 2004a : 245–263 ; On practice - based research : Wiles 1999 offers an insightful seminar discussion by leading schol- ars in the field of classics ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words