A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 429
... moral philosophy , which we may think of as starting about fifty years ago . By the 1950s and 1960s , Anglo - American moral philosophy had become entirely dominated by two theories derived from two somewhat earlier thinkers , Immanuel ...
... moral philosophy , which we may think of as starting about fifty years ago . By the 1950s and 1960s , Anglo - American moral philosophy had become entirely dominated by two theories derived from two somewhat earlier thinkers , Immanuel ...
Página 431
... moral philosophy , namely " What sort of person should I be ? " I should be aspiring to being better than I am , but in what way could I be better ? But how , in what terms , should I think about that ? ' Surely this is a question that ...
... moral philosophy , namely " What sort of person should I be ? " I should be aspiring to being better than I am , but in what way could I be better ? But how , in what terms , should I think about that ? ' Surely this is a question that ...
Página 437
... moral judgements true ( convention ? moral facts ? our feelings ? ) Against a back- ground that has made science the prevailing paradigm for objectivity , how are we to justify our moral beliefs as anything other than , on the one hand ...
... moral judgements true ( convention ? moral facts ? our feelings ? ) Against a back- ground that has made science the prevailing paradigm for objectivity , how are we to justify our moral beliefs as anything other than , on the one hand ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words