A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 90
... natural law of humanity ' . The whole essay , like Aristotle's writings , claims to be about what is natural for human beings . The result is a highly conservative statement of principle which identifies the lim- itations of human nature ...
... natural law of humanity ' . The whole essay , like Aristotle's writings , claims to be about what is natural for human beings . The result is a highly conservative statement of principle which identifies the lim- itations of human nature ...
Página 94
... nature from ruining the religion of Homer . The depiction of the gods and goddesses as human beings dominated the poet's pages , relegating the older nature worship to the margins of the supernatural cosmology . In place of his previous ...
... nature from ruining the religion of Homer . The depiction of the gods and goddesses as human beings dominated the poet's pages , relegating the older nature worship to the margins of the supernatural cosmology . In place of his previous ...
Página 154
... nature of translation and the nature of the theatre both show there are no absolute rules and no easy answers . Translating the Stage Play The responsibilities of the translator of a piece first intended for performance are complex ...
... nature of translation and the nature of the theatre both show there are no absolute rules and no easy answers . Translating the Stage Play The responsibilities of the translator of a piece first intended for performance are complex ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words