A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 156
... plays which together tend to play for upwards of five hours - seven in the case of Peter Stein's produc- tion - and are often spread over two nights . Even the first ' full ' production in English , that of Frank Benson at Stratford in ...
... plays which together tend to play for upwards of five hours - seven in the case of Peter Stein's produc- tion - and are often spread over two nights . Even the first ' full ' production in English , that of Frank Benson at Stratford in ...
Página 221
... play , nor would it go on to inspire and symbolize opposing performance strategies and methods in antiquity and in the modern world . Like the formation of the canon of the three tragedians , the process of canoniza- tion of their plays ...
... play , nor would it go on to inspire and symbolize opposing performance strategies and methods in antiquity and in the modern world . Like the formation of the canon of the three tragedians , the process of canoniza- tion of their plays ...
Página 224
... play was undertaken by the National Royal Theatre in metropolitan London . The conditions which enabled the production and reception of the play and which account for its can- onical status among postcolonial adaptations of Greek ...
... play was undertaken by the National Royal Theatre in metropolitan London . The conditions which enabled the production and reception of the play and which account for its can- onical status among postcolonial adaptations of Greek ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words