A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 145
Lorna Hardwick, Christopher Stray. Arab Poetic reception of Greek Mythology Ancient Arab Muslims did not translate Greek poetry because Arabs of those times felt no need to translate foreign poems . They already had a well - established ...
Lorna Hardwick, Christopher Stray. Arab Poetic reception of Greek Mythology Ancient Arab Muslims did not translate Greek poetry because Arabs of those times felt no need to translate foreign poems . They already had a well - established ...
Página 148
... poetry and oracles , Apollo . This trend in Arabic poetry is still strong in the works of the contemporary poets such as the Iraqi poets El - Sayab , El - Bayati and Nazik al Malaika as well as Adonis of Syria and Salah Abd El - Sabour ...
... poetry and oracles , Apollo . This trend in Arabic poetry is still strong in the works of the contemporary poets such as the Iraqi poets El - Sayab , El - Bayati and Nazik al Malaika as well as Adonis of Syria and Salah Abd El - Sabour ...
Página 453
... poets who used the Homeric paradigm of battle to exalt and affirm their own experiences of war , and indeed war itself . As Bergonzi has pointed out , critics have shown a marked tendency to privilege the poetry of protest over other poetic ...
... poets who used the Homeric paradigm of battle to exalt and affirm their own experiences of war , and indeed war itself . As Bergonzi has pointed out , critics have shown a marked tendency to privilege the poetry of protest over other poetic ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words