A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 106
... political debate was fundamental to Athenian political oratory ( see , for example , the statement of this idea in Pericles ' funeral oration - Thucydides History 2.40.2 ) . Williams turned this didactic motif in democratic oratory into ...
... political debate was fundamental to Athenian political oratory ( see , for example , the statement of this idea in Pericles ' funeral oration - Thucydides History 2.40.2 ) . Williams turned this didactic motif in democratic oratory into ...
Página 107
... political voice . When he left the Caribbean Commission ( an Anglo- American institution that was set up to conduct research on the Caribbean ) in June 1955 , he announced his plan to form a political party by giving a lecture in ...
... political voice . When he left the Caribbean Commission ( an Anglo- American institution that was set up to conduct research on the Caribbean ) in June 1955 , he announced his plan to form a political party by giving a lecture in ...
Página 289
... political party at the centre of Israel's political map . Aristophanes on the Israeli Stage This was not the first time that Aristophanes was ' recruited ' for the Israeli stage within the framework of political protest . Since 1948 ...
... political party at the centre of Israel's political map . Aristophanes on the Israeli Stage This was not the first time that Aristophanes was ' recruited ' for the Israeli stage within the framework of political protest . Since 1948 ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words