A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 192
... present at his performance , and to instil love of eagles in all men . As he explains , conscience is an ugly , wretched lot , but whatever it be it will devour us ; once we embrace and love this obligation which calls us into existence ...
... present at his performance , and to instil love of eagles in all men . As he explains , conscience is an ugly , wretched lot , but whatever it be it will devour us ; once we embrace and love this obligation which calls us into existence ...
Página 205
... present and future creative presence of classical culture continues to have a role in invigorating them . For if there has as yet been little communication between aca- demic Classics and the ' new feminisms ' , within the realm of ...
... present and future creative presence of classical culture continues to have a role in invigorating them . For if there has as yet been little communication between aca- demic Classics and the ' new feminisms ' , within the realm of ...
Página 226
... present ' or the ' contemporary ' ( e.g. Kruger 2003 ) . In the last few decades there have been more stage productions of Greek tragedy than in any other similar period of time since the invention of the genre in the late sixth century ...
... present ' or the ' contemporary ' ( e.g. Kruger 2003 ) . In the last few decades there have been more stage productions of Greek tragedy than in any other similar period of time since the invention of the genre in the late sixth century ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words