A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 27
... Question , that is , a sustained inquiry into the authorship of the Homeric poems ( see further the 1985 edition of F.A. Wolf , Prolegomena ad Homerum , originally published in 1795 ) . More generally , the discipline of classics is ...
... Question , that is , a sustained inquiry into the authorship of the Homeric poems ( see further the 1985 edition of F.A. Wolf , Prolegomena ad Homerum , originally published in 1795 ) . More generally , the discipline of classics is ...
Página 305
... question the relative values attributed to ' high ' and ' low ' culture , and ask why studying pop- ular culture is in itself undesirable - especially since Classics has long incorporated the study of ancient ' popular culture ' , such ...
... question the relative values attributed to ' high ' and ' low ' culture , and ask why studying pop- ular culture is in itself undesirable - especially since Classics has long incorporated the study of ancient ' popular culture ' , such ...
Página 433
... question ' Is such - and - such an action right or wrong ? ' They had paid no attention to questions such as ' Are such and such emotions rightly felt or not ? ' or ' Is such and such a good moral character or not ? ' considering only ...
... question ' Is such - and - such an action right or wrong ? ' They had paid no attention to questions such as ' Are such and such emotions rightly felt or not ? ' or ' Is such and such a good moral character or not ? ' considering only ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words