A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Dentro del libro
Resultados 1-3 de 59
Página 321
... reflects the Homeric view of the gods as possessing human qualities and driven by human passions . Poseidon's anger is fuelled by much the same parental identification and protectiveness that might lead any human parent to seek ...
... reflects the Homeric view of the gods as possessing human qualities and driven by human passions . Poseidon's anger is fuelled by much the same parental identification and protectiveness that might lead any human parent to seek ...
Página 325
... reflects differences in the times in which the films were produced . The 1955 film , produced in the Eisenhower years , challenges the conformities of the 1950s in the US , while reflecting the religious scepticism of post - war ...
... reflects differences in the times in which the films were produced . The 1955 film , produced in the Eisenhower years , challenges the conformities of the 1950s in the US , while reflecting the religious scepticism of post - war ...
Página 457
... reflects the shock of this abrupt return to battle . Shaw - Stewart compares his own absence from , and motivations for returning to , battle with Achilles ' withdrawal and return , and by so doing exposes the distance and difference of ...
... reflects the shock of this abrupt return to battle . Shaw - Stewart compares his own absence from , and motivations for returning to , battle with Achilles ' withdrawal and return , and by so doing exposes the distance and difference of ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words