A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 106
... rhetoric was acutely audience centred ( see , in particular , Ober 1989 , passim and Yunis 1998 , especially 239-34 ) . Williams's references to Athenian democracy are subject to similar con- straints insofar as he was presenting his ...
... rhetoric was acutely audience centred ( see , in particular , Ober 1989 , passim and Yunis 1998 , especially 239-34 ) . Williams's references to Athenian democracy are subject to similar con- straints insofar as he was presenting his ...
Página 109
... rhetoric , which was shaped in part by the audi- ences that Williams addressed . As with Athenian political rhetoric in the era of democracy , there was an implicit contract between speaker and audience , which estab- lished the broad ...
... rhetoric , which was shaped in part by the audi- ences that Williams addressed . As with Athenian political rhetoric in the era of democracy , there was an implicit contract between speaker and audience , which estab- lished the broad ...
Página 110
... rhetoric . Although Williams's position was undeniably elitist , the rhetoric is populist – a tension which haunts political rhetoric in demo- cratic societies . - This popular character is further evident when we consider the social ...
... rhetoric . Although Williams's position was undeniably elitist , the rhetoric is populist – a tension which haunts political rhetoric in demo- cratic societies . - This popular character is further evident when we consider the social ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words