A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 9
... role of myth in reception practice and analysis is becoming more prominent , as is excerpting and the role of the iconic figure as means of transmission and rein- vention , especially when whole texts are not directly known by most ...
... role of myth in reception practice and analysis is becoming more prominent , as is excerpting and the role of the iconic figure as means of transmission and rein- vention , especially when whole texts are not directly known by most ...
Página 268
... role and actor ) than to ancient theatre . Koun repeatedly admitted the impact of Brechtian theatre on his work , especially in regards to the mask ( Koun 1997 : 92 ) . His influence from Brecht also explains his desire to destroy any ...
... role and actor ) than to ancient theatre . Koun repeatedly admitted the impact of Brechtian theatre on his work , especially in regards to the mask ( Koun 1997 : 92 ) . His influence from Brecht also explains his desire to destroy any ...
Página 423
... role of emissary from a ' Restored United States of America ' . The location of this mythical entity is vaguely but portentously described as some- where in the East , perhaps echoing the role of Byzantium which became the cap- ital of ...
... role of emissary from a ' Restored United States of America ' . The location of this mythical entity is vaguely but portentously described as some- where in the East , perhaps echoing the role of Byzantium which became the cap- ital of ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words