A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página xvii
... Theatre Studies at Tel Aviv University , Israel . She has published a book , French Contemporary Theatre 1960–1992 ( 1994 ) , and edited several books in English and Hebrew : On Inter- pretation in the Arts ( in English , 2000 ) , The ...
... Theatre Studies at Tel Aviv University , Israel . She has published a book , French Contemporary Theatre 1960–1992 ( 1994 ) , and edited several books in English and Hebrew : On Inter- pretation in the Arts ( in English , 2000 ) , The ...
Página 69
... theatre , exploiting the poor image of the performer to relieve epic of at least one charge . Although the theatre of Basil's day was very different from the theatre of classical Athens in both artistic and social terms , it was still a ...
... theatre , exploiting the poor image of the performer to relieve epic of at least one charge . Although the theatre of Basil's day was very different from the theatre of classical Athens in both artistic and social terms , it was still a ...
Página 292
... Theatre must take into account when plan- ning their productions . When we leave the theatre to walk around the Abu Tor neighbourhood , either gazing at its houses or extending our view to the whole of Jerusalem , we can see the same ...
... Theatre must take into account when plan- ning their productions . When we leave the theatre to walk around the Abu Tor neighbourhood , either gazing at its houses or extending our view to the whole of Jerusalem , we can see the same ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words