A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 131
... translation ' is not merely translation ' , since , in good translation , the translator is ' giving the original through himself and finding himself through the original ' ( Eliot 1948 : 13 ) . There must , ' Mason wrote , be a degree ...
... translation ' is not merely translation ' , since , in good translation , the translator is ' giving the original through himself and finding himself through the original ' ( Eliot 1948 : 13 ) . There must , ' Mason wrote , be a degree ...
Página 132
... translation on the attention of students in both English and Classics . Arion is itself still in business , after two phoenix - rises from the ashes . ' Translation studies ' is now an established ' field ' within the literary academy ...
... translation on the attention of students in both English and Classics . Arion is itself still in business , after two phoenix - rises from the ashes . ' Translation studies ' is now an established ' field ' within the literary academy ...
Página 153
... translation cover so much ground that their practi- tioners inevitably have clashing priorities . The poetry translator operates within a dif- ferent ... translation 'Enough Give in It': Translating the Classical Play J Michael Walton.
... translation cover so much ground that their practi- tioners inevitably have clashing priorities . The poetry translator operates within a dif- ferent ... translation 'Enough Give in It': Translating the Classical Play J Michael Walton.
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words