Christian Fantasy: From 1200 to the PresentUniversity of Notre Dame Press, 1992 - 356 páginas This is the first account of invented stories of the Christian supernatural, of fantasies that depict imagined forms of heaven or hell, angel or devil, world and creator; it considers their growth and changes from the time of Dante to the present day. Relatively infrequent, such works nevertheless for centuries represented some of the highest aspirations of art. Works considered here include the French Queste del Saint Graal, Dante's Commedia, the Middle English Pearl, the first book of Spenser's The Faerie Queene, Marlowe's Dr. Faustus, Milton's Paradise Lost, Bunyan's The Pilgrim's Progress, Swedenborg's Heaven and Hell and poems by Blake; and, from the post-Romantic and increasingly less 'Christian' period, the fantasies of George MacDonald, Charles Kingsley, Charles Williams, C. S. Lewis and many others. In the development of these works, a primary issue is found to be the fantasy-making imagination itself, at first seen as a potential obstacle to plain Christian purpose, but more recently given freer rein in the new aim of demonstrating God's existence in a more secular world. The picture that emerges is of a literary mode which becomes more fictive and indirect in its presentation of Christian vision. |
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Página 59
... Redcrosse , as it did not before , out of the wood . We may therefore call this illusion an illusion of direction . we The next illusion of falsehood comes in the person of Archimago , who appears to the pair as a humble and devout ...
... Redcrosse , as it did not before , out of the wood . We may therefore call this illusion an illusion of direction . we The next illusion of falsehood comes in the person of Archimago , who appears to the pair as a humble and devout ...
Página 60
... Redcrosse ( xii ) . His effect on Redcrosse , as others , is ' with false shewes [ to ] abuse his fantasy ' ( i.46 ) : he is the imagination gone bad . 16 Now it is quite evident that the various illusions with which Redcrosse is beset ...
... Redcrosse ( xii ) . His effect on Redcrosse , as others , is ' with false shewes [ to ] abuse his fantasy ' ( i.46 ) : he is the imagination gone bad . 16 Now it is quite evident that the various illusions with which Redcrosse is beset ...
Página 65
... Redcrosse that he cannot use his imagination to liken his case of doubting his own lady to that of Fradubio ( ' doubt ' ) . In the Palace of Lucifera , Redcrosse has enough shame at pride , even if he has come there , to object to the ...
... Redcrosse that he cannot use his imagination to liken his case of doubting his own lady to that of Fradubio ( ' doubt ' ) . In the Palace of Lucifera , Redcrosse has enough shame at pride , even if he has come there , to object to the ...
Contenido
The French Queste del Saint Graal | 12 |
The Commedia | 21 |
The Middle English Pearl | 42 |
Derechos de autor | |
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Términos y frases comunes
allegory angels Anodos Beatrice becomes Bible biblical Blake Bunyan C. S. Lewis character Charles Williams Christ Christian fantasy Church Commedia creation Dante Dante's death described desire devil divine dragon Duessa earth eternal evil fact Faerie Queene Fairy Land faith fantastic worlds Faustus Faustus's feel figure further God's Grail Heaven and Hell Hideous Strength Holy human idea imagery imagination invented J. R. R. Tolkien journey Kingsley Kingsley's lady Lewis's Lilith Lion literary literature London look MacDonald Medieval Mephostophilis Milton mind Modern Fantasy moral mystic myth narrative nature North Wind novel Paradise Lost pattern Pearl Perelandra Phantastes picture Pilgrim's Progress planet play poem poet portrays Princess and Curdie Purgatory realise reality Redcrosse Satan science fiction seems seen sense Shardik significance soul Spenser spiritual story supernatural Swedenborg Tamburlaine tells theology things Tolkien true truth University Press Victorian vision Water-Babies writers