The Master-mistress: A Study of Shakespeare's SonnetsChatto & Windus, 1968 - 216 páginas |
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Página 66
... follows ; but the self - depreciation of Sonnet 85 characterises the poet , whether he is referring to his literary abilities or to his qualities as a man . Outside the grandly assured statements of the sonnets on Time , little suggests ...
... follows ; but the self - depreciation of Sonnet 85 characterises the poet , whether he is referring to his literary abilities or to his qualities as a man . Outside the grandly assured statements of the sonnets on Time , little suggests ...
Página 115
... follows impulse without regard to the protests of judgement , and despite the knowledge that once gratified his desire will seem contemptible . The two basic aspects of his nature are at odds , and cannot be reconciled . Much the same ...
... follows impulse without regard to the protests of judgement , and despite the knowledge that once gratified his desire will seem contemptible . The two basic aspects of his nature are at odds , and cannot be reconciled . Much the same ...
Página 140
... follows a suggestion made in Sonnet 36 , which has provided a happy hunting - ground for historical speculation . The poet's unhappy recognition that we two must be twain , Although our undivided loves are one ; varies only slightly ...
... follows a suggestion made in Sonnet 36 , which has provided a happy hunting - ground for historical speculation . The poet's unhappy recognition that we two must be twain , Although our undivided loves are one ; varies only slightly ...
Contenido
CHAPTER PAGE I INTRODUCTION | 1 |
THE STORY | 26 |
THE POET | 60 |
Derechos de autor | |
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A. C. Bradley actual admits Adonis allusion appear argument association attitude autobiographical theory behaviour C. H. Herford C. S. Lewis character compliment concepts conflict counterfeit creative critic Dark Lady describes divided doth Dover Wilson Dowden dualistic E. K. Chambers equivocal expression eyes false fault feelings figure friend's beauty give group of sonnets hint ideas identity imaginative experience impulse interest involved judgement Julia knows lady's later lover Lucrece lust main sequence meaning mistress moral narrative poems nature peare's perversity Petrarchan plays poet's poetic poetry praise purpose reader realise recognise reference regard relationship remark represents reveals rival poet seems self-conflict self-love sense sequence sexual shadow Shakes Shakespeare's imaginative shame situation Sonnet 35 Sonnet 87 Sonnet 94 speaker story suggests suppose that Shakespeare Tarquin tells thee theme thyself tion true truth Venus Venus and Adonis writing young man's