The Master-mistress: A Study of Shakespeare's SonnetsChatto & Windus, 1968 - 216 páginas |
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Página 21
... writing , whether drama or poems , deserves to be remembered . The dominant ideas and interests of the Sonnets are not peculiar to them , but shared with the two narrative poems and with some of the plays . This likeness extends to many ...
... writing , whether drama or poems , deserves to be remembered . The dominant ideas and interests of the Sonnets are not peculiar to them , but shared with the two narrative poems and with some of the plays . This likeness extends to many ...
Página 39
A Study of Shakespeare's Sonnets James Winny. after a cessation from sonnet - writing , during which Shakes- peare had been engaged in authorship - writing plays for the public , as I as I suppose , instead of poems for his friend . The ...
A Study of Shakespeare's Sonnets James Winny. after a cessation from sonnet - writing , during which Shakes- peare had been engaged in authorship - writing plays for the public , as I as I suppose , instead of poems for his friend . The ...
Página 64
... writing lacks power to impress itself upon time . One might argue that Shakespeare was not always as confident of his power as Sonnet 55 suggests , but the disparity between these two voices raises doubts whether either represents him ...
... writing lacks power to impress itself upon time . One might argue that Shakespeare was not always as confident of his power as Sonnet 55 suggests , but the disparity between these two voices raises doubts whether either represents him ...
Contenido
CHAPTER PAGE I INTRODUCTION | 1 |
THE STORY | 26 |
THE POET | 60 |
Derechos de autor | |
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A. C. Bradley actual admits Adonis allusion appear argument association attitude autobiographical theory behaviour C. H. Herford C. S. Lewis character compliment concepts conflict counterfeit creative critic Dark Lady describes divided doth Dover Wilson Dowden dualistic E. K. Chambers equivocal expression eyes false fault feelings figure friend's beauty give group of sonnets hint ideas identity imaginative experience impulse interest involved judgement Julia knows lady's later lover Lucrece lust main sequence meaning mistress moral narrative poems nature peare's perversity Petrarchan plays poet's poetic poetry praise purpose reader realise recognise reference regard relationship remark represents reveals rival poet seems self-conflict self-love sense sequence sexual shadow Shakes Shakespeare's imaginative shame situation Sonnet 35 Sonnet 87 Sonnet 94 speaker story suggests suppose that Shakespeare Tarquin tells thee theme thyself tion true truth Venus Venus and Adonis writing young man's