Here it is more meaningful to speak, not of courses of study, of grades and degrees, but of apprenticeship, ordeals, initiation ceremonies, of rebirth. For after the jazzman has learned the fundamentals of his instrument and the traditional techniques... Blowin' Hot and Cool: Jazz and Its Critics - Página 159por John Gennari - 2010 - 494 páginasVista previa limitada - Acerca de este libro
| Jacqui Malone - 1996 - 316 páginas
...theory and instrumental technique, when we approach jazz we are entering quite a different sphere of training. Here it is more meaningful to speak, not...himself," must be reborn, must find, as it were, his soul. All this through achieving that subtle identification between his instrument and his deepest drives... | |
| Robert G. O'Meally - 1998 - 696 páginas
...musicians and jazzmen present, then the jam session is revealed as the jazzman's true academy. tais of his instrument and the traditional techniques of...himself," must be reborn, must find, as it were, his soul. All this through achieving that subtle identification between his instrument and his deepest drives... | |
| Edward Michael Pavlić - 2002 - 342 páginas
...the Clef Club in midtown Manhattan, and later at Harlem's Rhythm Club and the world-famous Minton's: For after the jazzman has learned the fundamentals...must be "reborn," must find, as it were, his soul. All this through achieving that subtle identification between his instrument and his deepest drives... | |
| Edward Michael Pavlić - 2002 - 344 páginas
...the Clef Club in midtown Manhattan, and later at Harlem's Rhythm Club and the world-famous Minton's: For after the jazzman has learned the fundamentals...of his instrument and the traditional techniques of jazz—the intonations, the mute work, manipulation of timbre, the body of traditional styles—he... | |
| Neil Peart - 2004 - 399 páginas
...improvisation in the education of a musician, and in the eventual development of a "unique voice." Here it is more meaningful to speak not of courses...himself," must be reborn, must find, as it were, his soul. All this through achieving that subtle identification between his instrument and his deepest drives... | |
| Josephine Hendin - 2004 - 454 páginas
...theory and instrumental technique, when we approach jazz we are entering quite a different sphere of training. Here it is more meaningful to speak, not...work, manipulation of timbre, the body of traditional style - he must then "find himself," must be reborn, must find, as it were, his soul. (208-9) Jazz... | |
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