Rhetoric and Death: The Language of Modernism and Postmodern Discourse TheoryUniversity of Illinois Press, 1990 - 252 páginas |
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Página 44
... Finally , " it was not until the late nineteenth century , ” as Eu- gene Lunn notes , " that the full implications of the new market situ- ation " affected art " production . " Artists came to emphasize their dif- ferences from others ...
... Finally , " it was not until the late nineteenth century , ” as Eu- gene Lunn notes , " that the full implications of the new market situ- ation " affected art " production . " Artists came to emphasize their dif- ferences from others ...
Página 125
... finally effects the “ same ” and makes “ objective ” meaning possible- is susceptible to analyses that are objective , repeatable , and verifiable . Thus Jakobson attempts to articulate a critical practice that will ac- count for ...
... finally effects the “ same ” and makes “ objective ” meaning possible- is susceptible to analyses that are objective , repeatable , and verifiable . Thus Jakobson attempts to articulate a critical practice that will ac- count for ...
Página 144
... finally understood , I think , as the " easiness " and distortion of the apocalyptic substitution of another world for our seemingly endless world , for the seemingly endless play of rhetoric . Recognized or not , rhetoric creates the ...
... finally understood , I think , as the " easiness " and distortion of the apocalyptic substitution of another world for our seemingly endless world , for the seemingly endless play of rhetoric . Recognized or not , rhetoric creates the ...
Contenido
Modernism | 27 |
The Power of Death | 75 |
Roman Jakobson | 115 |
Derechos de autor | |
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Rhetoric and Death: The Language of Modernism and Postmodern Discourse Theory Ronald Schleifer Vista de fragmentos - 1990 |
Términos y frases comunes
act of signification analysis arbitrary argues articulates asserts attempts Bakhtin binary calls century chapter cognition communication conceived conception of rhetoric contemporary creates crisis criticism culture D. H. Lawrence death instinct Derrida describes Derrida says discourse effects Eliot énoncé enunciation enunciatory Europe European existence experience fact figure Freud function Greimas guage Heart of Darkness hierarchy historical human inhabited inscribed irony Jacques Derrida Joyce knowledge Kurtz's Lacan language linguistic literary literature Man's Marlow meaning metaphor metonymic Mikhail Bakhtin modernism modernist literature mourning negative materiality never Nietzsche non-sense nothingness opposition Passage to India phenomena Pleasure Principle poem poetry possibility postmodern precisely present psychoanalysis random reading relation relationship resonating Roland Barthes Saussure Schleifer second industrial revolution semantic semiotic sense signifier simply situation speak speech Steiner structure surface synecdoche tactical Tavor Bannet textuality things transcendental transformation truth unconscious understanding violence vision voice words writes Yeats Yeats's