The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 280 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
Contenido
Introduction Susan M Schultz | 1 |
Part 1 New Readings of Ashbery | 13 |
Part 2 Explorations of Influence | 81 |
Part 3 Ashbery and Postmodern Poetries | 191 |
The Influence of Kinship Patterns upon Perception of an Ambiguous Stimulus Charles Bernstein | 258 |
263 | |
Contributors | 271 |
275 | |
Otras ediciones - Ver todas
Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom calls Charles Bernstein clichés consciousness construction contemporary Convex Mirror Crase criticism crypt word culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays experience feel Flow Chart Frank O'Hara Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative never opening pantoum phrase poem's poet's poetic poets polyphonic possible postmodern present prose punctuation reader reading reality reverie romantic seems Self-Portrait sense sentence sequence sixties social space SPCM speaker stanza Stevens suggests Tennis Court Oath things Three Poems tion traditional trope University Press Vendler verse vision voice Welish William Bronk writing York