The Economics of Fantasy: Rape in Twentieth-century LiteratureOhio State University Press, 2006 - 235 páginas In The Economics of Fantasy: Rape in Twentieth-Century Literature, Sharon Stockton examines the persistence and the evolution of the rape narrative in twentieth-century literature--the old story of male power and violence; female passivity and penetrability. What accounts for its persistence? How has the story changed over the course of the twentieth century? In this provocative book, Stockton investigates the manner in which the female body--or to be more precise, the violation of the female body--serves as a metaphor for a complex synthesis of masculinity and political economy. From high modernism to cyberpunk, Pound to Pynchon, Stockton argues that the compulsive return to the rape story, articulates--among other things--the gradual and relentless removal of Western man from the fantastical capitalist role of venturesome, industrious agency. The metamorphosis of the twentieth-century rape narrative registers a desperate attempt to preserve traditional patterns of robust, entrepreneurial masculinity in the face of economic forms that increasingly disallow illusions of individual authority. It is important to make clear that the genre of rape story studied here presumes a white masculine subject and a white feminine object. Stockton makes the case that the aestheticized rape narrative reveals particular things about the way white masculinity represents itself. Plotting violent sexual fantasy on the grid of economic concerns locates masculine agency in relation to an explicitly contingent material system of power, value, and order. It is in this way that The Economics of Fantasy discloses the increased desperation with which the body has been made to carry ideology under systems of advanced capitalism. |
Dentro del libro
Resultados 1-5 de 12
Página 6
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Página 71
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Página 82
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Página 88
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Página 133
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
Introduction | 1 |
High Modernism and the Rape of God | 26 |
Ayn Rand Ezra Pound and the Virile Hero | 48 |
Wyndham Lewis D H Lawrence and William Faulkner | 71 |
Vladimir Nabokov and D M Thomas | 92 |
John Barth William Gibson Neal Stephenson Nicholson Baker and Thomas Pynchon | 120 |
Waste Management and the Scapegoated Rapist | 149 |
A Different Rape Story? | 181 |
Notes | 205 |
Bibliography | 211 |
227 | |
Otras ediciones - Ver todas
The Economics of Fantasy: Rape in Twentieth-century Literature Sharon Stockton Vista de fragmentos - 2006 |
The Economics of Fantasy: Rape in Twentieth-Century Literature Sharon Stockton Sin vista previa disponible - 2021 |
Términos y frases comunes
abstract Acker aestheticized agency argues articulates Ayn Rand becomes Cantos Cassandra castration central commodity constructed consumer culinity culture cyberpunk D. H. Lawrence death defined DeLillo desire dominance edited effaced embodiment Esmeralda explicitly extent Ezra Pound fact fantasy fascist father female body feminine Feminist feminized fetishism fiction figure finally force Freud function Garp gender Giles Goat-Boy girl Gravity's Rainbow heterosexual Hotel New Hampshire human Humbert identity ideological Kreisler language late capitalism Literature Lolita machine Malatesta masculine masculine subject material Modern modernist murder Nabokov narrator nature Nick nonetheless novel patriarchal penetration penis phallic Poems postmodern production protagonist rapable rape rape narrative rape story rape victim rapist reality representation role scene script sense sexual violence Sigismondo similarly Slothrop Snow Crash social speak suggests symbolic T. S. Eliot Tarr Tempio tion transcendent Underworld University Press vision voice vulnerable Waste Land white masculinity women York
Referencias a este libro
The Opposite of Desire: Sex and Pleasure in the Modernist Novel Tonya Krouse Vista previa limitada - 2009 |