Jazz Mavericks of the Lone Star StateUniversity of Texas Press, 2009 M12 3 - 256 páginas Jazz is one of America's greatest gifts to the arts, and native Texas musicians have played a major role in the development of jazz from its birth in ragtime, blues, and boogie-woogie to its most contemporary manifestation in free jazz. Dave Oliphant began the fascinating story of Texans and jazz in his acclaimed book Texan Jazz, published in 1996. Continuing his riff on this intriguing musical theme, Oliphant uncovers in this new volume more of the prolific connections between Texas musicians and jazz. Jazz Mavericks of the Lone Star State presents sixteen published and previously unpublished essays on Texans and jazz. Oliphant celebrates the contributions of such vital figures as Eddie Durham, Kenny Dorham, Leo Wright, and Ornette Coleman. He also takes a fuller look at Western Swing through Milton Brown and his Musical Brownies and a review of Duncan McLean's Lone Star Swing. In addition, he traces the relationship between British jazz criticism and Texas jazz and defends the reputation of Texas folklorist Alan Lomax as the first biographer of legendary jazz pianist-composer Jelly Roll Morton. In other essays, Oliphant examines the links between jazz and literature, including fiction and poetry by Texas writers, and reveals the seemingly unlikely connection between Texas and Wisconsin in jazz annals. All the essays in this book underscore the important parts played by Texas musicians in jazz history and the significance of Texas to jazz, as also demonstrated by Oliphant's reviews of the Ken Burns PBS series on jazz and Alfred Appel Jr.'s Jazz Modernism. |
Dentro del libro
Resultados 1-5 de 32
... Louis Armstrong, Charlie Parker, Dizzy Gillespie, and Charles Mingus. But how musicians in outlying towns like Jefferson, Rockport, Wichita Falls, Amarillo, or Texarkana first heard the infectious sounds of jazz and later became members ...
... Louis Armstrong in one of the first integrated recording sessions in jazz. In the 1940s Teagarden would become a member of the Armstrong All-Stars, but before that, between 1934 and 1939, he was the star soloist with the Paul Whiteman ...
... Louis Armstrong because he " jumps around when he hears music . " But only after he moved to Austin did Dorham pick up the trumpet , playing it first in high school and later at Wiley College in Marshall . During World War II he joined ...
... Louis Armstrong . 11 With respect to technique , Teagarden was the most advanced player on his instrument . When he arrived in New York , he brought with him a smoothness of execution on the trombone that had not been seen or heard ...
... Louis Armstrong (trumpet) and Bobby Hackett, from a rehearsal for a concert by Armstrong's All Stars at Town Hall, New York City, May 1947. Reproduced from The New Grove Dictionary of Jazz, vol. 2, edited by Barry Kernfield (1988). 13 ...
Contenido
1 | |
9 | |
The Texas Jazz Connections | 33 |
Kenny Dorham and Leo Wright | 45 |
5 BRITISH ACOLYTES OF JAZZ AND ITS TEXAS CONTINGENT | 61 |
6 THE WISCONSINTEXAS JAZZ NEXUS | 81 |
7 JAZZ IN LITERATURE | 99 |
8 THE ALCHEMY OF JAZZ | 113 |
11 A TEXAS TAKE ON KEN BURNSS JAZZ | 135 |
12 SWINGING THROUGH TEXAS ON A SCOTTISH AIR | 143 |
13 THE BIRTH OF WESTERN SWING | 149 |
Untangling the Legacy of Jelly Roll Morton and Alan Lomax | 159 |
15 DISCOGRAPHIES AND TEXAN JAZZ | 171 |
16 SAN MARCOS IN JAZZ HISTORY | 181 |
NOTES | 187 |
BIBLIOGRAPHY | 223 |
9 ORNETTE COLEMANS HARMOLODIC LIFE | 121 |
10 A JAZZ MASTERS DIAMOND JUBILEE | 129 |
INDEX | 231 |