The Future of Beauty in Theatre, Literature and the ArtsDaniel Meyer-Dinkgräfe Cambridge Scholars Press, 2005 - 170 páginas In recent years, philosophical debate of the concept of beauty has seen a remarkable renaissance. The twelve essays presented in this book provide a broad basis for a thorough reassessment of the European traditions of beauty in the arts (fine arts, performing arts, media arts) and in literature and film, not as a return to some distant, and allegedly ideal past, but as a constructive means of realising the potential of the arts for the 21st century. |
Contenido
John Danvers | 1 |
Amy Ione | 18 |
Maurizio Vito | 32 |
Marcus Verhaegh | 45 |
Steve Mason | 70 |
Harold Schweizer | 91 |
Jennifer Walden | 123 |
Daniel MeyerDinkgräfe | 146 |
List of Contributors | 164 |
Términos y frases comunes
Abhinavagupta Adorno aesthetic aesthetic contemplation ananda argues artistic beautiful art Bishop's bodies brothel Cave century claim cognition composition concept of beauty Craig culture Débâcle delight deterritorialization discourse Duchamp Duras emotional ethical existence experience of beauty film fractal logic French function Greek Hamlet Hiroshima Hiroshima mon Amour human idea Jean and Maurice Jean-Luc Nancy judgment of beauty Kant Kant’s Kantian kind La Débâcle Le Temps retrouvé literary literature London Mandelbrot Marcel Marcel Duchamp meaning military mind Minima Moralia moksha moral Moscow Nancy Napoléonic nature Natyasastra nonlinear notion object one’s Ophelia painting Paris particular perception performance philosophy Plato play pleasure Plotinus poem poetic poetry poststructuralism pure consciousness qualities rasa Russian sabbath eyes Saint-Loup saundarya sense soldiers suggest symmetry Tantraloka teleological theatre theory thinking touch tradition Trans truth University Press validity Vasily Kachalov virtual reality visual word Zola's