What the Music Said: Black Popular Music and Black Public CultureWhat the Music Said is a book about communities under siege, but also communities engaged in various forms of resistance, institution-building and everyday pleasures. Beginning with the Be-Bop era, Mark Anthony Neal reads the story of "black communities" through the black tradition in popular music. Exploring the broad range of black cultural experience and expression, Neal locates a history that challenges the view that hip-hop was the first black cultural movement to "speak truth to power." |
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What the music said: Black popular music and Black public culture
Crítica de los usuarios - Not Available - Book VerdictFor a large number of African Americans, black popular music was as much about history, sociology, and politics as it was about entertainment. As radio overtook the jukebox as a hit-making force and ... Leer comentario completo
Contenido
CHAPTER | 25 |
CHAPTER | 55 |
CHAPTER THREE | 85 |
CHAPTER FOUR | 101 |
CHAPTER FIVE | 125 |
CHAPTER | 159 |
Endnotes | 173 |
Index | 191 |
Otras ediciones - Ver todas
What the Music Said: Black Popular Music and Black Public Culture Mark Anthony Neal Vista previa limitada - 2013 |
What the Music Said: Black Popular Music and Black Public Culture Mark Anthony Neal Vista previa limitada - 1999 |
What the Music Said: Black Popular Music and Black Public Culture Mark Anthony Neal Vista previa limitada - 2013 |
Términos y frases comunes
activities aesthetic African African-American African-American diaspora allowed American artists associated attempted audiences became began black church black community black middle-class black music black popular music black protest Black Public Sphere black urban black women black youth blues century changes Civil Rights constructs consumer contemporary context corporate create critical critique culture dance decade defined desire Despite discourse distribution dominant early economic effect efforts emergence example experience expression Gaye Gaye's given Going hip-hop historical industry influence institutions integration issues jazz King label landscape largely late live mainstream maintain major male mass middle middle-class migration Motown movement narratives nationalist North organic particularly perhaps period political postindustrial Power presence produced realities recording regard relations release remained represented resistance response rhetoric role segregated sensibilities served significant social soul sound South spaces struggle success suggests tion track tradition transformed York young
Referencias a este libro
The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop Murray Forman Vista previa limitada - 2002 |
Black Heretics, Black Prophets: Radical Political Intellectuals Anthony Bogues Vista previa limitada - 2003 |
Información bibliográfica
| Título | What the Music Said: Black Popular Music and Black Public Culture |
| Autor | Mark Anthony Neal |
| Edición | ilustrada |
| Editor | Psychology Press, 1999 |
| ISBN | 041592071X, 9780415920711 |
| Largo | 198 páginas |
| Exportar cita | BiBTeX EndNote RefMan |