What the Music Said: Black Popular Music and Black Public CulturePsychology Press, 1999 - 198 páginas What the Music Said is a book about communities under siege, but also communities engaged in various forms of resistance, institution-building and everyday pleasures. Beginning with the Be-Bop era, Mark Anthony Neal reads the story of "black communities" through the black tradition in popular music. Exploring the broad range of black cultural experience and expression, Neal locates a history that challenges the view that hip-hop was the first black cultural movement to "speak truth to power." |
Dentro del libro
Resultados 1-5 de 47
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... Power , and the Struggle for Black Musical Hegemony 25 CHAPTER TWO From Protest to Climax : Black Power , State Repression , and Black Communities of Resistance 55 CHAPTER THREE Soul for Sale : The Marketing of Black Musical Expression ...
... Power , and the Struggle for Black Musical Hegemony 25 CHAPTER TWO From Protest to Climax : Black Power , State Repression , and Black Communities of Resistance 55 CHAPTER THREE Soul for Sale : The Marketing of Black Musical Expression ...
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Contenido
CHAPTER | 25 |
CHAPTER | 55 |
CHAPTER THREE | 85 |
CHAPTER FOUR | 101 |
CHAPTER FIVE | 125 |
CHAPTER | 159 |
Endnotes | 173 |
191 | |
Otras ediciones - Ver todas
What the Music Said: Black Popular Music and Black Public Culture Mark Anthony Neal Vista previa limitada - 1999 |
What the Music Said: Black Popular Music and Black Public Culture Mark Anthony Neal Sin vista previa disponible - 1999 |
What the Music Said: Black Popular Music and Black Public Culture Mark Anthony Neal Sin vista previa disponible - 1999 |
Términos y frases comunes
aesthetic African African-American diaspora African-American youth American Aretha audiences aural bebop black church black community black expressive black male black middle black middle-class black music black nationalist Black Panther Party black political black popular music Black Power black protest movement Black Public Sphere black women black youth blaxploitation Chitlin Civil Rights movement commercial commodification constructs contemporary black context corporate crack cocaine create critical critique dance discourse dominant Donny Hathaway early economic efforts emergence film Franklin Gamble and Huff Gaye's genre ghetto ghetto pop Gordy Gordy's hard-bop Harlem hip-hop artists icons Jackson Jackson Five jazz label largely Malcolm X Marvin Gaye mass-market migration Motown narratives organic particularly popular music tradition post-Civil Rights postindustrial postindustrial city produced public spaces realities relations release represented resistance rhythm and blues role Scott-Heron segregated sensibilities soul music South suggests traditional Black Public transformed urban landscape urban North WattStax Wonder's working-class youth culture
Referencias a este libro
The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop Murray Forman Vista previa limitada - 2002 |
Black Heretics, Black Prophets: Radical Political Intellectuals Anthony Bogues Vista previa limitada - 2003 |