Ives StudiesThe essays in Ives Studies are concerned with Charles Ives (1874SH1954), an American composer of symphonic, choral, and chamber music who was an early pioneer of twentieth-century musical modernism. Ten leading scholars address issues that have been at the forefront of a recent surge in Ives scholarship, including the hotly debated chronology of his work, the nature of his compositional philosophy and style, and his place in music history. |
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Contenido
the | 27 |
Editing Ivess 129 Songs 51 | 51 |
Redating Ivess choral sources 77 | 77 |
The idea of potentiality in the music of Charles Ives 105 | 105 |
Charles Ives and the politics of direct democracy 133 | 133 |
A | 163 |
The realization and first complete performances | 179 |
Ivess Universe 233 | 233 |
Ives today 263 | 263 |
Otras ediciones - Ver todas
Términos y frases comunes
aesthetic American appears artistic associated beginning Burkholder called changes Charles Ives choral chord chronology close complete composer compositional concept Concord Sonata continues copies create critical cycles Democracy described Direct discussion earlier early Earth edition Emerson essay European Example father Figure final followed formal four Fourth half Harmony Heavens ideas important indicated influence Ives's Ives's music Kirkpatrick later major manuscript marked masses material meaning measures Memos motive movement nature notation notes opening orchestra organ original passage percussion performance perhaps period Perlis phrase piano piece Plate played political present Psalm published questions realization reference represents revised score second edition seems sketch Songs sound sources stave structure style suggest Symphony tempo theme things third Thoreau tion tonal tones tradition tune University Press voice World writes York
Referencias a este libro
El humor en la música: broma, parodia e ironía : un ensayo Benet Casablancas Vista previa limitada - 2000 |
Journal of the American Musicological Society, Volumen51 American Musicological Society Vista de fragmentos - 1998 |