Seminar, Temas417-424R. Thapar, 1994 |
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Página 47
47 48 Ghazal : form and performance VIDYA RAO. The film can at one level be seen as a kind of sublimation of the Tamil identity into the Indian one , as ' an exorcism of the ... ghazal as a form and as a SEMINAR 423 ---- November 1994.
47 48 Ghazal : form and performance VIDYA RAO. The film can at one level be seen as a kind of sublimation of the Tamil identity into the Indian one , as ' an exorcism of the ... ghazal as a form and as a SEMINAR 423 ---- November 1994.
Página 49
... ghazal is available to a larger and more heterogenous audience . As a performed style too , ghazal has many lives , settings and contexts . By the late 18th century and there- after , it was customary for poets to recite their ghazals ...
... ghazal is available to a larger and more heterogenous audience . As a performed style too , ghazal has many lives , settings and contexts . By the late 18th century and there- after , it was customary for poets to recite their ghazals ...
Página 52
... ghazal is poetry first , and song later . A shift then towards a hierarchical structure ? It seems that somehow a certain legitimacy for ghazal and for the ghazal singer is being claimed by this distancing from the mujra style ...
... ghazal is poetry first , and song later . A shift then towards a hierarchical structure ? It seems that somehow a certain legitimacy for ghazal and for the ghazal singer is being claimed by this distancing from the mujra style ...
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