Francisco Rodrigues Lobo: Dialogue and Courtly Lore in Renaissance Portugal, Temas109-112 |
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Página 15
11 In the nineteenth century , critics were quick to stress that , in an era when prose was couched in the tersely epigrammatic style of the Latin Silver Age , Corte na aldeia represented a “ kind of Ciceronian style in Portuguese prose ...
11 In the nineteenth century , critics were quick to stress that , in an era when prose was couched in the tersely epigrammatic style of the Latin Silver Age , Corte na aldeia represented a “ kind of Ciceronian style in Portuguese prose ...
Página 119
Of the five interlocutors of the first dialogue , the learned Lívio appropriately assumes the responsibility for defending Portuguese . He begins his eulogy with an enumeration of purported vocal qualities : “ ... É branda para deleitar ...
Of the five interlocutors of the first dialogue , the learned Lívio appropriately assumes the responsibility for defending Portuguese . He begins his eulogy with an enumeration of purported vocal qualities : “ ... É branda para deleitar ...
Página 120
13 With regard to her Romance sisters , for example , Portuguese has the warmth ( “ familiaridade ... ” ) of Spanish , the smooth charm ( “ ... brandura ... " ) of French , and the elegance of Italian . Lívio's patriotism and his ...
13 With regard to her Romance sisters , for example , Portuguese has the warmth ( “ familiaridade ... ” ) of Spanish , the smooth charm ( “ ... brandura ... " ) of French , and the elegance of Italian . Lívio's patriotism and his ...
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Contenido
PREFACE | 13 |
INTRODUCTION | 19 |
Corte na Aldeia e Noites de Inverno | 61 |
Otras 16 secciones no mostradas
Otras ediciones - Ver todas
Francisco Rodrigues Lobo: Dialogue and Courtly Lore in Renaissance Portugal Richard A. Preto-Rodas Sin vista previa disponible - 1971 |
Términos y frases comunes
according affection amor appears attempt Barcelona become Bohs concerning considered conversation Corte na aldeia court courtesy courtier criticism describes developed dialogue Diderot discussion edition emendation Essai example expression fact figure flex gens give Guillem honor importance indicates influence Inquiry interlocutors Italy lady language Languedoc later Latin less letters Lisbon literature Lobo Lobo's Madrid means mentioned moral nature noble Number object omitted original Paris passage poetry Portugal Portuguese possible present pretz probably qu'il question Raimon reason reference regarding relation religion religious Renaissance ROMANCE saber says sense Shaftesbury similar social speaker suggests themes theory tion traditional translation troubadours University verse Vidal virtue vols worth