The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
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Página 116
... Bartleby comes one morning to the office and is engaged. A few words are exchanged concerning his qualifications, but none concerning himself. Indeed, Bartleby for all his colorlessness rises as much out of the sea of the unknown as ...
... Bartleby comes one morning to the office and is engaged. A few words are exchanged concerning his qualifications, but none concerning himself. Indeed, Bartleby for all his colorlessness rises as much out of the sea of the unknown as ...
Página 117
... Bartleby persists he finds himself giving way to an impulse which he knows to be evil, renewing his first request and making new ones, attempting to goad Bartleby into even more outrageous rebellion. On the other hand, though he ...
... Bartleby persists he finds himself giving way to an impulse which he knows to be evil, renewing his first request and making new ones, attempting to goad Bartleby into even more outrageous rebellion. On the other hand, though he ...
Página 118
... Bartleby to quit him, he quits Bartleby, removing to new offices. The last thing to go is the folding screen, and there still stands Bartleby, motionless in the stripped room, staring at the blank wall outside the little window. Yet ...
... Bartleby to quit him, he quits Bartleby, removing to new offices. The last thing to go is the folding screen, and there still stands Bartleby, motionless in the stripped room, staring at the blank wall outside the little window. Yet ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young