The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
Dentro del libro
Resultados 1-3 de 21
Página 42
... Billy Budd, Melville avoids this danger, but a certain allegorical flavor is nevertheless present. It is seen, for example, in the name of the first self. Billy Budd is twenty-one, physically and mentally mature, a "normal" young man in ...
... Billy Budd, Melville avoids this danger, but a certain allegorical flavor is nevertheless present. It is seen, for example, in the name of the first self. Billy Budd is twenty-one, physically and mentally mature, a "normal" young man in ...
Página 43
... Billy is frank and open Claggart is enclosed within a wall of reserve, most dangerous when he smiles or speaks pleasantly. Whereas Billy believes the best of everyone, Claggart believes the worst, and with special readiness when hatred ...
... Billy is frank and open Claggart is enclosed within a wall of reserve, most dangerous when he smiles or speaks pleasantly. Whereas Billy believes the best of everyone, Claggart believes the worst, and with special readiness when hatred ...
Página 44
... Billy's is not the absolute innocence that would make his goodness invulnerable to evil. As a spark of Billy's brightness lies in Clag- gart's soul, so a tinge of Claggart's darkness lies in Billy's. We are given a hint of this tinge ...
... Billy's is not the absolute innocence that would make his goodness invulnerable to evil. As a spark of Billy's brightness lies in Clag- gart's soul, so a tinge of Claggart's darkness lies in Billy's. We are given a hint of this tinge ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young