The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
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Página 80
... Dorian's growing old by proxy. Centrally it is the story of Dorian's gradual corruption, in part by the Wildean philosophy of sensationalism to which he is introduced through his friendship with Lord Henry Wotton, in part by his ...
... Dorian's growing old by proxy. Centrally it is the story of Dorian's gradual corruption, in part by the Wildean philosophy of sensationalism to which he is introduced through his friendship with Lord Henry Wotton, in part by his ...
Página 81
... Dorian-self. The portrait- self is not in the least either sympathetic or hysterical. His visible degeneration in no way detracts from his strength in the duel between them; it constitutes his strength, or more accurately it constitutes ...
... Dorian-self. The portrait- self is not in the least either sympathetic or hysterical. His visible degeneration in no way detracts from his strength in the duel between them; it constitutes his strength, or more accurately it constitutes ...
Página 172
... Dorian Gray, we find that old device of Gothic Romance: the portrait that is more than a mere reproduction of its subject and therefore possesses a life of its own. Walter Ludlow and his fiancee Elinor have their portraits painted by an ...
... Dorian Gray, we find that old device of Gothic Romance: the portrait that is more than a mere reproduction of its subject and therefore possesses a life of its own. Walter Ludlow and his fiancee Elinor have their portraits painted by an ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young