The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
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Página 67
... Gil-Martin so eloquently as almost to persuade him to drop the latter. By now, however, there is no dropping Gil-Martin, partly because he will not be dropped, partly because in his secret heart Robert has no wish to drop him. When Gil ...
... Gil-Martin so eloquently as almost to persuade him to drop the latter. By now, however, there is no dropping Gil-Martin, partly because he will not be dropped, partly because in his secret heart Robert has no wish to drop him. When Gil ...
Página 68
... Gil-Martin, the appearance from the left is always assumed on Gil-Martin's initiative, not on Robert's, nor does Robert ever seem aware of its significance. But though Robert's other-selves are at opposite extremes, the one of decency ...
... Gil-Martin, the appearance from the left is always assumed on Gil-Martin's initiative, not on Robert's, nor does Robert ever seem aware of its significance. But though Robert's other-selves are at opposite extremes, the one of decency ...
Página 69
... Gil-Martin, though obviously the Devil, sacrifices his function as Tempter- in-general and serves as Robert's particular Tempter, focusing his attention exclusively on this single victim. This personal, one-to-one quality of their ...
... Gil-Martin, though obviously the Devil, sacrifices his function as Tempter- in-general and serves as Robert's particular Tempter, focusing his attention exclusively on this single victim. This personal, one-to-one quality of their ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young