The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
Dentro del libro
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Página 46
... Heyst has accumulated in Samburan, the three pursue Heyst to his retreat, arrive in the last stages of exhaustion, and are put up by him in a bungalow near the one in which he is living with Lena. Heyst is defenseless, partly because he ...
... Heyst has accumulated in Samburan, the three pursue Heyst to his retreat, arrive in the last stages of exhaustion, and are put up by him in a bungalow near the one in which he is living with Lena. Heyst is defenseless, partly because he ...
Página 47
Carl F. Keppler. itself a linkage. Heyst is different from the savage Ricardo, but this is a difference largely of their being irrelevant to each other. The difference between Heyst and Mr. Jones is the very reverse of irrelevancy.24 It ...
Carl F. Keppler. itself a linkage. Heyst is different from the savage Ricardo, but this is a difference largely of their being irrelevant to each other. The difference between Heyst and Mr. Jones is the very reverse of irrelevancy.24 It ...
Página 49
... Heyst, setting fire to the bungalow, immolates himself upon her pyre. On the level of pure event it is pure chance, as it is that Mr. Jones should "happen" to enter Heyst's life at the precise moment he does. But to read the story on ...
... Heyst, setting fire to the bungalow, immolates himself upon her pyre. On the level of pure event it is pure chance, as it is that Mr. Jones should "happen" to enter Heyst's life at the precise moment he does. But to read the story on ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young