The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
Dentro del libro
Resultados 1-3 de 7
Página 122
... Javert, the first self of the later relationship; just as there are equally unmistakable parallels between the Bishop of D — , who in this earlier episode is Jean Valjean's second self, and the later Jean Valjean, who becomes the second ...
... Javert, the first self of the later relationship; just as there are equally unmistakable parallels between the Bishop of D — , who in this earlier episode is Jean Valjean's second self, and the later Jean Valjean, who becomes the second ...
Página 125
... Javert recalls the Jean Valjean of the past. Hints of such a complicated linkage are given us, at this point in the story, by means of certain quasi-musical devices resembling those by which Dostoyevsky suggests the linkage between ...
... Javert recalls the Jean Valjean of the past. Hints of such a complicated linkage are given us, at this point in the story, by means of certain quasi-musical devices resembling those by which Dostoyevsky suggests the linkage between ...
Página 127
... Javert's visit, rises within Jean Valjean, urging on him the view that it is not only his right but his duty to let ... Javert within that presents the argument to foil the Javert without. I am saved, and all is settled. There was only ...
... Javert's visit, rises within Jean Valjean, urging on him the view that it is not only his right but his duty to let ... Javert within that presents the argument to foil the Javert without. I am saved, and all is settled. There was only ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young