The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
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Página 66
... Robert. The second part, comprising the memoirs and confessions of Robert, includes reference to this relationship, but only as a very secondary aspect of another relationship, which has already been alluded to but not explained. The ...
... Robert. The second part, comprising the memoirs and confessions of Robert, includes reference to this relationship, but only as a very secondary aspect of another relationship, which has already been alluded to but not explained. The ...
Página 68
... Robert's other self is always a little to his left, on the traditionally sinister or evil side. But in the case of George this is the position in which Robert as conscious instrument of the Lord's vengeance intentionally places him. In ...
... Robert's other self is always a little to his left, on the traditionally sinister or evil side. But in the case of George this is the position in which Robert as conscious instrument of the Lord's vengeance intentionally places him. In ...
Página 69
... Robert's particular Tempter, focusing his attention exclusively on this single victim. This personal, one-to-one quality of their relationship is stressed throughout; indeed Robert is often puzzled by the unremitting attention paid him ...
... Robert's particular Tempter, focusing his attention exclusively on this single victim. This personal, one-to-one quality of their relationship is stressed throughout; indeed Robert is often puzzled by the unremitting attention paid him ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young