The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
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Resultados 1-3 de 45
Página 6
... counterpart of the self and the subjective component of the self are both susceptible of being explained, which means being explained away, as something other than the second selves they appear to be. The legend of Narcissus has been ...
... counterpart of the self and the subjective component of the self are both susceptible of being explained, which means being explained away, as something other than the second selves they appear to be. The legend of Narcissus has been ...
Página 100
... counterpart of Satan or Judas-Satan, his stature would make it scarcely possible for him to serve as the second self of a human hero. Nevertheless I use the word "saviour" purposely, in order to suggest the Christ-like in man, which is ...
... counterpart of Satan or Judas-Satan, his stature would make it scarcely possible for him to serve as the second self of a human hero. Nevertheless I use the word "saviour" purposely, in order to suggest the Christ-like in man, which is ...
Página 103
... for the moment at least, by giving to his counterpart a new vision of himself and of the true nature of his responsibility, he has freed Fidelman from the need to run. Another example of the second self as Saviour in pursuit The Saviour ...
... for the moment at least, by giving to his counterpart a new vision of himself and of the true nature of his responsibility, he has freed Fidelman from the need to run. Another example of the second self as Saviour in pursuit The Saviour ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young