The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
Dentro del libro
Resultados 1-3 de 29
Página 28
... creative literature is akin to the most primitive concept of the Twin Brother in that he is the evil second self, whose malevolence, however, is not directed against the tribe as a whole but concentrated upon the person of his first ...
... creative literature is akin to the most primitive concept of the Twin Brother in that he is the evil second self, whose malevolence, however, is not directed against the tribe as a whole but concentrated upon the person of his first ...
Página 176
... creative literature itself but from the autobiographical account of a creative writer. This is the episode in Dichtung und Wahrheit16 in which Goethe tells of what happened to him after one of his visits to Fredrike Brion. In such ...
... creative literature itself but from the autobiographical account of a creative writer. This is the episode in Dichtung und Wahrheit16 in which Goethe tells of what happened to him after one of his visits to Fredrike Brion. In such ...
Página 187
... creative literature is the subjective idealism so typical of the thinking of the German Romantic Movement, expressed in philosophy by the solipsism of Fichte and Schelling, in aesthetics by Schlegel's theory of romantic irony, and in ...
... creative literature is the subjective idealism so typical of the thinking of the German Romantic Movement, expressed in philosophy by the solipsism of Fichte and Schelling, in aesthetics by Schlegel's theory of romantic irony, and in ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young