The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
Dentro del libro
Resultados 1-3 de 38
Página 46
... eyes. Mr. Jones is so thin as to be almost spectral, with little physical stamina; his hair is dark, his face pale, his dark eyes so sunken that they seem often mere patches of shadow. While Heyst is thoroughly masculine, "normal," in ...
... eyes. Mr. Jones is so thin as to be almost spectral, with little physical stamina; his hair is dark, his face pale, his dark eyes so sunken that they seem often mere patches of shadow. While Heyst is thoroughly masculine, "normal," in ...
Página 54
... eyes seem to be like his own eyes (the curious shape of his wife's eyes has also been mentioned); in themselves and in their women he and Allbee once more merge into each other, both in his mind and in the reader's. He goes to bed ...
... eyes seem to be like his own eyes (the curious shape of his wife's eyes has also been mentioned); in themselves and in their women he and Allbee once more merge into each other, both in his mind and in the reader's. He goes to bed ...
Página 179
... eyes, his own eyes and himself. In those eyes, which matched though they distorted, his own, in those eyes into which he was compelled to stare, so that he could not even make any movement of escape, nor any effort at pretence, was to ...
... eyes, his own eyes and himself. In those eyes, which matched though they distorted, his own, in those eyes into which he was compelled to stare, so that he could not even make any movement of escape, nor any effort at pretence, was to ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young