The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
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Página 72
... horror that he sees about him. He does not deny God, he explains to Alyosha; he would be most willing to accept God; but the world created by this God he cannot and will not accept. Even if all the horror is ultimately resolved, still ...
... horror that he sees about him. He does not deny God, he explains to Alyosha; he would be most willing to accept God; but the world created by this God he cannot and will not accept. Even if all the horror is ultimately resolved, still ...
Página 80
... horror of the Vision of Horror, all the more loathsome in this case for certain lingering traces of the original beauty it has lost. It is true that the second self of Dorian Gray is less mobile than the shadow of the scholar or the ...
... horror of the Vision of Horror, all the more loathsome in this case for certain lingering traces of the original beauty it has lost. It is true that the second self of Dorian Gray is less mobile than the shadow of the scholar or the ...
Página 84
... horror: horror not primarily at Babo's threats but at Babo himself, at the sight of the face ever opposite his own, the nature of whose darkness (and implicitly also of the white man's darkness) has forever left its stain on his mind.R ...
... horror: horror not primarily at Babo's threats but at Babo himself, at the sight of the face ever opposite his own, the nature of whose darkness (and implicitly also of the white man's darkness) has forever left its stain on his mind.R ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young