The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
Dentro del libro
Resultados 1-3 de 33
Página 10
... identity with the first self, but lacking external reality lacks any convincing simultaneous identity of its own; it is "self," but not "second." Therefore as the true second self is never either of these alone, so he is always, in some ...
... identity with the first self, but lacking external reality lacks any convincing simultaneous identity of its own; it is "self," but not "second." Therefore as the true second self is never either of these alone, so he is always, in some ...
Página 39
... identity and pseudo-identity of which the German Romantics were so fond. For most of the household Medardus is simply himself, but for the groom and Euphemia he is Victor, disguised as the person he really is: Medardus. Thus Medardus is ...
... identity and pseudo-identity of which the German Romantics were so fond. For most of the household Medardus is simply himself, but for the groom and Euphemia he is Victor, disguised as the person he really is: Medardus. Thus Medardus is ...
Página 91
... identity with each other, identity in separateness, as though each while remaining on his own side of the creek that runs between them were simultaneously reaching across it, not just with calculating shrewdness or awakened conscience ...
... identity with each other, identity in separateness, as though each while remaining on his own side of the creek that runs between them were simultaneously reaching across it, not just with calculating shrewdness or awakened conscience ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young