The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
Dentro del libro
Resultados 1-3 de 33
Página 159
... living a lie (the lie that they are man and wife), the vain struggle by Pierre to convince himself that this lie is of a more usual and more wholesome order than the one they are really living — in other words, that Isabel is not his ...
... living a lie (the lie that they are man and wife), the vain struggle by Pierre to convince himself that this lie is of a more usual and more wholesome order than the one they are really living — in other words, that Isabel is not his ...
Página 177
... living as he does in the fixed intactness of the past. This is not an example from creative literature, nor is there enough done with it to make it of much significance for our purpose. It can serve, however, as the taking-off point for ...
... living as he does in the fixed intactness of the past. This is not an example from creative literature, nor is there enough done with it to make it of much significance for our purpose. It can serve, however, as the taking-off point for ...
Página 209
... living knowledge of our true nature, concludes Schopenhauer, that we can rise above our jungle-nature, can quiet the will, can find peace at last; it is only in such transcending of our individuality, concludes Emerson, that "this ...
... living knowledge of our true nature, concludes Schopenhauer, that we can rise above our jungle-nature, can quiet the will, can find peace at last; it is only in such transcending of our individuality, concludes Emerson, that "this ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young