The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
Dentro del libro
Resultados 1-3 de 27
Página 116
... narrator's horizon, and they go on simultaneously. One is the way in which he installs himself physically, as a permanent fixture, in the narrator's office. In this installation the narrator, like the traditional witch's victim, takes ...
... narrator's horizon, and they go on simultaneously. One is the way in which he installs himself physically, as a permanent fixture, in the narrator's office. In this installation the narrator, like the traditional witch's victim, takes ...
Página 117
... narrator admits is dull, the quintessential dullness of the scrivener's dull existence. When called on for this part of his service Bartleby, to the thunderstruck surprise of his employer, simply refuses. He refuses in an interesting ...
... narrator admits is dull, the quintessential dullness of the scrivener's dull existence. When called on for this part of his service Bartleby, to the thunderstruck surprise of his employer, simply refuses. He refuses in an interesting ...
Página 118
... narrator goes to him and for the last time tries to reason with him, even offers to take Bartleby to his home; but Bartleby would prefer not to make any change. The narrator washes his hands of all responsibility, and the police remove ...
... narrator goes to him and for the last time tries to reason with him, even offers to take Bartleby to his home; but Bartleby would prefer not to make any change. The narrator washes his hands of all responsibility, and the police remove ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young