The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
Dentro del libro
Resultados 1-3 de 36
Página 70
... novel has already been touched on, and I have explained that he fulfills merely half the basic requirement of the second self, possessing subjective but not objective reality. It is only in the light of Smerdyakov that the significance ...
... novel has already been touched on, and I have explained that he fulfills merely half the basic requirement of the second self, possessing subjective but not objective reality. It is only in the light of Smerdyakov that the significance ...
Página 92
... novel. Nor is there anything quite like it in any other Dostoyevsky novel, either. Here alone, to the best of my knowledge, Dostoyevsky makes use of certain almost musical devices to "sound the theme" of Svidrigailov in a preparatory ...
... novel. Nor is there anything quite like it in any other Dostoyevsky novel, either. Here alone, to the best of my knowledge, Dostoyevsky makes use of certain almost musical devices to "sound the theme" of Svidrigailov in a preparatory ...
Página 109
... novel Demian.TM The ambiguity of the second selfs name, Demian (daemon, daimon, with its suggestion of both guardian spirit and evil spirit) , reflects the ambiguity of his character for the first self; while the first self s name ...
... novel Demian.TM The ambiguity of the second selfs name, Demian (daemon, daimon, with its suggestion of both guardian spirit and evil spirit) , reflects the ambiguity of his character for the first self; while the first self s name ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young