The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
Dentro del libro
Resultados 1-3 de 41
Página 53
... physical attack, he now thinks of physical flight. A moment later he knows, without seeing or hearing him, that Allbee has entered the room, but he pretends not to know. Only when he has finished the letter does he appear to take notice ...
... physical attack, he now thinks of physical flight. A moment later he knows, without seeing or hearing him, that Allbee has entered the room, but he pretends not to know. Only when he has finished the letter does he appear to take notice ...
Página 80
... physical aging, for the story is far more than one of Dorian's growing old by proxy. Centrally it is the story of Dorian's gradual corruption, in part by the Wildean philosophy of sensationalism to which he is introduced through his ...
... physical aging, for the story is far more than one of Dorian's growing old by proxy. Centrally it is the story of Dorian's gradual corruption, in part by the Wildean philosophy of sensationalism to which he is introduced through his ...
Página 100
... physical protection: the Twin Brother of Amerindian legend, for example, who must come to the aid of his counterpart in the latter's hour of need, who must save his life or, finding him dead, bring him back to life.4 The function of ...
... physical protection: the Twin Brother of Amerindian legend, for example, who must come to the aid of his counterpart in the latter's hour of need, who must save his life or, finding him dead, bring him back to life.4 The function of ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young