The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
Dentro del libro
Resultados 1-3 de 51
Página 50
... present category, one which unlike the stories we have considered thus far belongs to our own time: an American novel set against the background of modern, mechanized Manhattan, and applying the relationship between the selves to one of ...
... present category, one which unlike the stories we have considered thus far belongs to our own time: an American novel set against the background of modern, mechanized Manhattan, and applying the relationship between the selves to one of ...
Página 162
... present (the point where future cascades into past) is a knifeblade of incalculable fineness between them, it is scarcely possible to say that anything exists at all; it has no "time" to do so.1 The same dissatisfaction has expressed ...
... present (the point where future cascades into past) is a knifeblade of incalculable fineness between them, it is scarcely possible to say that anything exists at all; it has no "time" to do so.1 The same dissatisfaction has expressed ...
Página 163
... present is "really real," can never genuinely give voice to our dissatisfaction with the concept of Time. For what this dissatisfaction points toward is, of course, the idea of eternity, in which, if we could get any firm grasp on it ...
... present is "really real," can never genuinely give voice to our dissatisfaction with the concept of Time. For what this dissatisfaction points toward is, of course, the idea of eternity, in which, if we could get any firm grasp on it ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young