The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
Dentro del libro
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Página 51
... stranger should "start something." The stranger does indeed "start something," though for the present only in words. He proves to be not a complete stranger but a former casual acquaintance named Kirby Allbee, who accuses Leventhal of ...
... stranger should "start something." The stranger does indeed "start something," though for the present only in words. He proves to be not a complete stranger but a former casual acquaintance named Kirby Allbee, who accuses Leventhal of ...
Página 85
... stranger draws a knife and apparently stabs the hired man, and coming to the latter's defense Mr. Thompson strikes the stranger over the head with an ax, killing him. Mr. Thompson is legally innocent of murder, but he is a suspect ...
... stranger draws a knife and apparently stabs the hired man, and coming to the latter's defense Mr. Thompson strikes the stranger over the head with an ax, killing him. Mr. Thompson is legally innocent of murder, but he is a suspect ...
Página 104
... Stranger, meets is to some extent a reflection of him, even continuous with him.8 But it is only the Beggar who plays the role of the Stranger's second self. The Stranger is aware of a certain inescapable resemblance between them, for ...
... Stranger, meets is to some extent a reflection of him, even continuous with him.8 But it is only the Beggar who plays the role of the Stranger's second self. The Stranger is aware of a certain inescapable resemblance between them, for ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young