The literature of the second selfUniversity of Arizona Press, 1972 - 241 páginas |
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Página 33
... victim but is not a vampire. It is the Horla, a new and terrible being, whose emergence means that the reign of man is over. Generally the malignant monster, the vampire for example, has little or nothing in common with the second self ...
... victim but is not a vampire. It is the Horla, a new and terrible being, whose emergence means that the reign of man is over. Generally the malignant monster, the vampire for example, has little or nothing in common with the second self ...
Página 60
... victim, man. Mephistopheles' first self, however, is not man in the abstract; the only possible counterpart of an abstraction is another abstraction, and there is nothing in the least abstract about Mephistopheles. His changes in ...
... victim, man. Mephistopheles' first self, however, is not man in the abstract; the only possible counterpart of an abstraction is another abstraction, and there is nothing in the least abstract about Mephistopheles. His changes in ...
Página 64
... victim's victim, the first self of the first relationship; so that in a beautifully symmetrical way the two victimizations are made continuous with each other. Thus, though for once we are dealing with three characters instead of the ...
... victim's victim, the first self of the first relationship; so that in a beautifully symmetrical way the two victimizations are made continuous with each other. Thus, though for once we are dealing with three characters instead of the ...
Contenido
The Nature of the Second Self | 1 |
The Second Self as Twin Brother | 14 |
The Second Self as Pursuer | 27 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Allbee appears Bartleby becomes Beloved Billy Billy Budd chapter character Claggart collective unconscious comes conscious counterpart creative literature dark death Demian Devil Dorian Dostoevsky Double dream Duchess of Towers Enkidu evil second examples explained eyes face fact Faust fear feeling Fidelman figure Gil-Martin Gilgamesh give Gogo Golyadkin guilt hatred Heathcliff Heyst horror human Ibid identity intruder Ivan Ivan's Javert Jean Valjean Jesus Jones Joseph Conrad Judas Jung latter least less Leventhal Leventhal's living Lord Jim Markheim means Medardus Mephistopheles merely Mimsey mind murder mysterious narrator narrator's nature never novel once opposite person Peter Ibbetson physical Pierre present Psychology Pursuer Raskol Raskolnikov relationship Rene Wellek Robert Ronald Gregor Smith second-self seems sense shadow simply Smerdyakov soul spirit Steppenwolf story strange stranger suggestion Svidrigai'lov Tempter things thought Translated Twin Brother twofoldness uncanny unconscious victim William Wilson words York young