The Language of Allegory: Defining the GenreCornell University Press, 1992 - 305 páginas This lively and innovative work treats a body of literature not previously regarded as a unified genre. Offering comparative readings of a number of texts that are traditionally called allegories and that cover a wide time span, Maureen Quilligan formulates a vocabulary for talking about the distinctive generic elements they share. The texts she considers range from the twelfth-century De planctu naturae to Pynchon's Gravity's Rainbow, and include such works as Le Roman de la Rose, Langland's Piers Plowman, Hawthorne's Scarlet Letter, Melville's Confidence Man, and Spenser's Faerie Queene. Whether or not readers agree with this book, they will enjoy and profit from it. |
Contenido
Acknowledgments | 9 |
The Text | 25 |
The Pretext | 97 |
The Context | 156 |
The Reader | 224 |
Origins and Ends | 279 |
| 301 | |
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action Aeneid allegoresis allegorical critic allegorical narrative allegorists allegory's Archimago attitude toward language basic become Bible Britomart Bunyan C. S. Lewis canto century characters Chaucer Christ Christian comedy Commedia commentary Confidence context Crying of Lot Dante Dante's Edward Mendelson Emerson episode etymology fact Faerie Queene faith fiction final Foucault Frye genre gory Gravity's Rainbow Hawthorne human interpretation Jean de Meun journey joust Kinbote kind Langland linguistic literary literature magic man's Marinell meaning medieval Melville Melville's merely metaphor narrative allegory Northrop Frye Oedipa Pale Fire pardon parody personification Piers Plowman Pilgrim's Progress play poem poet polysemous pretext Princeton problem puns Puritan Pynchon reader reading Redcrosse Knight relationship reveals Roman satire Scarlet Letter self-conscious sense seventeenth signals Slothrop Spenser structure Swift Tale things Thomas Pynchon tion traditional trans truth typological University Press verbal vision wordplay words writing York