Jazz Mavericks of the Lone Star StateJazz is one of America's greatest gifts to the arts, and native Texas musicians have played a major role in the development of jazz from its birth in ragtime, blues, and boogie-woogie to its most contemporary manifestation in free jazz. Dave Oliphant began the fascinating story of Texans and jazz in his acclaimed book Texan Jazz, published in 1996. Continuing his riff on this intriguing musical theme, Oliphant uncovers in this new volume more of the prolific connections between Texas musicians and jazz. Jazz Mavericks of the Lone Star State presents sixteen published and previously unpublished essays on Texans and jazz. Oliphant celebrates the contributions of such vital figures as Eddie Durham, Kenny Dorham, Leo Wright, and Ornette Coleman. He also takes a fuller look at Western Swing through Milton Brown and his Musical Brownies and a review of Duncan McLean's Lone Star Swing. In addition, he traces the relationship between British jazz criticism and Texas jazz and defends the reputation of Texas folklorist Alan Lomax as the first biographer of legendary jazz pianist-composer Jelly Roll Morton. In other essays, Oliphant examines the links between jazz and literature, including fiction and poetry by Texas writers, and reveals the seemingly unlikely connection between Texas and Wisconsin in jazz annals. All the essays in this book underscore the important parts played by Texas musicians in jazz history and the significance of Texas to jazz, as also demonstrated by Oliphant's reviews of the Ken Burns PBS series on jazz and Alfred Appel Jr.'s Jazz Modernism. |
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18 Williams and his band may well have come from the Crescent City to Dallas ,
for the style of their jazz is in keeping with that of New Orleans , both from the
point of view of their note choices and phrasing and of the group ' s
instrumentation ...
Because when I was a kid Buster Smith was playing like that then . Way before
Bird was ever born . In Dallas , Texas . " 44 Indeed , Buster Smith , like Budd
Johnson and Lips Page , had begun his career in the Southwestern , Dallas
tradition ...
Ironically , Carl Smith made the influential 1936 date only as a substitute for Oran
“ Hot Lips ” Page , the amazing blues trumpeter from Dallas , who goes
unmentioned in the film but is discussed in the book version of Jazz . The lineup
of great ...
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Contenido
THE ROOTS OF TEXAN JAZZ | 9 |
BRITISH ACOLYTES OF JAZZ AND ITS TEXAS CONTINGENT | 61 |
THE WISCONSINTEXAS JAZZ NEXUS | 81 |
Derechos de autor | |
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