Jazz Mavericks of the Lone Star StateUniversity of Texas Press, 2007 - 242 páginas Jazz is one of America's greatest gifts to the arts, and native Texas musicians have played a major role in the development of jazz from its birth in ragtime, blues, and boogie-woogie to its most contemporary manifestation in free jazz. Dave Oliphant began the fascinating story of Texans and jazz in his acclaimed book Texan Jazz, published in 1996. Continuing his riff on this intriguing musical theme, Oliphant uncovers in this new volume more of the prolific connections between Texas musicians and jazz. Jazz Mavericks of the Lone Star State presents sixteen published and previously unpublished essays on Texans and jazz. Oliphant celebrates the contributions of such vital figures as Eddie Durham, Kenny Dorham, Leo Wright, and Ornette Coleman. He also takes a fuller look at Western Swing through Milton Brown and his Musical Brownies and a review of Duncan McLean's Lone Star Swing. In addition, he traces the relationship between British jazz criticism and Texas jazz and defends the reputation of Texas folklorist Alan Lomax as the first biographer of legendary jazz pianist-composer Jelly Roll Morton. In other essays, Oliphant examines the links between jazz and literature, including fiction and poetry by Texas writers, and reveals the seemingly unlikely connection between Texas and Wisconsin in jazz annals. All the essays in this book underscore the important parts played by Texas musicians in jazz history and the significance of Texas to jazz, as also demonstrated by Oliphant's reviews of the Ken Burns PBS series on jazz and Alfred Appel Jr.'s Jazz Modernism. |
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... Mingus Jazz Workshop . Along with Williams , two other Texans formed part of the Mingus " Dynasty " : tenor saxophonist Booker Ervin of Denison and altoist John Handy of Dallas ; a fourth Texan , altoist Leo Wright of Wichita Falls ...
... Mingus in the 1950s . ' Apparently , these compo- sitions were unavailable to Lomax in 1949 , and at that point Mingus had not yet developed his experimental work that did in fact owe something to Morton's music , as evinced by the ...
... Mingus is reminiscent of Morton's : he lays out his composition part by part , takes into consideration “ each man's particular style , ” keeps his " own compositional flavor , " yet allows " individual freedom " ( quoted by Balliett ...
Contenido
JAZZ MAVERICKS OF THE LONE STAR STATE | 1 |
THE ROOTS OF TEXAN JAZZ | 9 |
6 | 81 |
Derechos de autor | |
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