Jazz Mavericks of the Lone Star StateJazz is one of America's greatest gifts to the arts, and native Texas musicians have played a major role in the development of jazz from its birth in ragtime, blues, and boogie-woogie to its most contemporary manifestation in free jazz. Dave Oliphant began the fascinating story of Texans and jazz in his acclaimed book Texan Jazz, published in 1996. Continuing his riff on this intriguing musical theme, Oliphant uncovers in this new volume more of the prolific connections between Texas musicians and jazz. Jazz Mavericks of the Lone Star State presents sixteen published and previously unpublished essays on Texans and jazz. Oliphant celebrates the contributions of such vital figures as Eddie Durham, Kenny Dorham, Leo Wright, and Ornette Coleman. He also takes a fuller look at Western Swing through Milton Brown and his Musical Brownies and a review of Duncan McLean's Lone Star Swing. In addition, he traces the relationship between British jazz criticism and Texas jazz and defends the reputation of Texas folklorist Alan Lomax as the first biographer of legendary jazz pianist-composer Jelly Roll Morton. In other essays, Oliphant examines the links between jazz and literature, including fiction and poetry by Texas writers, and reveals the seemingly unlikely connection between Texas and Wisconsin in jazz annals. All the essays in this book underscore the important parts played by Texas musicians in jazz history and the significance of Texas to jazz, as also demonstrated by Oliphant's reviews of the Ken Burns PBS series on jazz and Alfred Appel Jr.'s Jazz Modernism. |
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Prior to the classic bebop recordings that Parker and Gillespie cut in 1945 , these
two jazz giants crossed paths with a number of Texans who played crucial roles
in Bird ' s and Dizzy ' s early careers . In 1932 Parker first met Buster Smith , who
...
Babasin would , like Giuffre , end up in Los Angeles , where in 1952 he arranged
for and performed on a recording session with Charlie Parker and Chet Baker ,
and in 1953 he would form part of a historic recording that first combined jazz
with ...
20 Sal first describes Parker “ blowing his taped - up alto among the logs , " and
then after having practiced on his horn for hours ( what in jazz is called “
woodshedding ” ) , the narrator reports that Bird would seek out and watch “ the
old ...
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Contenido
JAZZ MAVERICKS OF THE LONE STAR STATE | 1 |
THE ROOTS OF TEXAN JAZZ | 9 |
BRITISH ACOLYTES OF JAZZ AND ITS TEXAS CONTINGENT | 61 |
Derechos de autor | |
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